Archive for the ‘Creating Income Streams’ Category

Good Money Management Practices for a Profitable Illustration Business

If you are like many creative entrepreneurs, you may have a strained relationship with money. Obviously you’d like more of it but then again, you don’t want to sell out as an artist or compromise your creativity to get it.

And when you do have it, it never seems to go as far as you thought it would and before you know it, there you are again wanting more. You may even describe yourself as “bad with money”.

I have a theory that many creative people self sabotage when it comes to money – I know Jonathan does…

  • There’s the question of value: Is my art worth it? Is it valuable enough for anyone to pay any money for it?
  • Then there’s the question of how to get more: How do I sell my art without selling my soul? How do I sell more without selling out?
  • And finally there’s the question of what you do with it when you get it: There’s no point in managing it because I never really have any. So I just won’t bother…I’ll just spend it.

Aaaah, money. Don’t you love it? icon smile Good Money Management Practices for a Profitable Illustration Business As someone who has always enjoyed a relatively good relationship with money, I’ve been working with Jonathan recently on his relationship with it.

We’ve been working through his plans for his illustration business and putting things in place to help the flow of money f-l-o-w more easily and frequently for this is what money is meant to do…flow. This is what we’ve been working on…

Heal Your Relationship

If some of the above sounds familiar – and you perhaps describe yourself as being “bad with money” – then the first place to start is to begin to heal your relationship with money.*

This is easier said than done since you’ll be dealing with the habits, beliefs and practices of a lifetime but consider it as a journey and the first thing you need to do is to take the first step.

Whether that means reaching out to ask for help from someone else, reading up and arming yourself with knowledge about a topic that scares you or buying a book (Rich Dad, Poor Dad by Robert Kiyosaki is a great one to start with) – do what you need to do, if you recognise you have a problem in this area.

* Watch this space – we may have something coming up to help with this. You heard it here first icon wink Good Money Management Practices for a Profitable Illustration Business

Multiple Streams of Income

A message we’ve often emphasised here is to build multiple streams of income from your illustration skills. It’s taken Jonathan long enough to get started on creating any income from his illustration but now he has, he’s got one eye firmly on creating additional streams by being smarter about which avenues he pursues.

The current goal is to be earning from the following channels:

  • Physical printed products like those at Then There Were None
  • Commissions and freelance projects
  • Gallery sales and private artwork commissions from art galleries
  • Illustration-based design projects from our web design business

The purpose is to reduce the reliance on just a single channel and target market so that should one ever slow down or disappear, the others can help pick up the slack.

As a creative entrepreneur, how many ways could you create additional income streams from your illustrations? And what are you going to do to build these?

Separate Your Finances

If you run your illustration business as LLC or limited company, then you’ll almost certainly have a dedicated bank account for your business.

If you don’t, do you have a separate bank account which you designate for your business? It doesn’t strictly need to be a “business” account with the additional charges often levied for these but it does need to be an account you use *solely* for business transactions which means:

  • All business-related income should be paid into this account
  • All business-related expenses should be paid from this account

No exceptions. Ever. As an entrepreneur and business owner, you play 2 roles when it comes to money:

  1. The CFO of our business finances
  2. The CFO of your personal finances

By all means be sloppy and disorganised as the CFO of your personal finances but don’t let this spill over into your business finances. Keep the 2 roles separate and keep your finances separate. Not only will this reduce all the headaches and stress come tax time, it’ll also help you manage the money you earn as an employee of your business.

While it may seem overkill, setting up your finances in this way means that you’ll replicate the “salary as an employee” structure which prevents you from dipping your hands into the business’ pockets when you run short and treating your business as simply a vehicle to pay your bills (it is this, I know, but if you really want it to take off and for your work to be appreciated, you need to view it as so much more).

Pay Yourself First

As an employee of your business, how much salary do you pay yourself? Or do you just dip into the money your business earns whenever you need it? This goes hand in hand with the advice above and helps you separate your money personae.

As CFO, you should be paying yourself a salary – you can pay this every week, every fortnight or every month if you like, but do it regularly and do it consistently. Even if at times you’re paying yourself just $5 from your business account as that week’s salary, do it anyway – it’s the practice and habit that counts.

Claim Everything

One of the things we’ve been spectacularly bad at is claiming things against tax which could very easily be deductible. This is going to change! We now keep receipts for absolutely everything (in a folder, organised by month) and plan to engage a better accountant to help us figure out what we can claim before we submit our next tax returns.

If you don’t do this already, start doing it now – it can make a huge difference to your overall tax bills and your tax liability. The more organised you can keep your filing system throughout the year, the less painful your reconciliation will be at the end of the year…if you’ve been surrounded by piles and piles of papers tearing your hair out in previous tax years, you’ll know the pain this can cause! It’s not too late to get yourself organised icon smile Good Money Management Practices for a Profitable Illustration Business

The topic of money can be a thorny one that conjures up all sorts of feelings, fears and anxieties amongst creative entrepreneurs – it needn’t do. By establishing and following good practices, you can become a great manager of your money and build a strong, profitable illustration business with strong, financial foundations.

10+ Resources From Outside the Industry to Help Your Illustration Business Improve

It’s very easy to get silo-ed within an industry and only ever look internally for the resources and information you need. One valuable strategy however, to help improve an industry as a whole (and those operating within it), is to look externally, across other industries to see what they’re doing well that can then be adopted by yours.

As most of you know, Jonathan very much has his feet planted firmly within the illustration industry but his experience running a design business online, combined with my social media marketing and business strategy experience means we’re exposed to a wider range of resources, points of view and knowledge than many.

Here I’ve pulled together 10 of the best resources I’ve come across in the past few years to share with you – all of which can be applied to your illustration business…

Read more

Online Passive Income Streams for Illustrators

As a working illustrator, you typically only get paid when you work or when you have live projects on your books. If you have art licensing contracts, you may well get ongoing commissions – which is basically passive income – but if you’re not interested in art licensing as an income stream for your illustration business, there are other options for creating passive income.

Passive income may not be something you’ve thought about as an illustrator, but wouldn’t it be great to earn an income passively which leaves you more time to create work you passionately want to create?

Even if you’re already a working illustrator, there are probably times and projects which don’t exactly leave you feeling inspired or creative…if you had your own streams of passive income, then you wouldn’t actually *need* to earn a living from your illustration, you could cherry pick the projects you work on, safe in the knowledge that the income is coming in anyway.

That’s certainly the approach Jonathan and I are taking with our business ventures – we’re focusing on creating multiple stream of (as passive as possible) income to leave use free to work on and do things we enjoy and are passionate about.

For you, it may just be about creating more income, supplementing what you already have or it may be about creating income that leaves you free to illustrate when you want and what you want.

Whatever your motivation, this article will give you an overview of some of the options available and some suggestions for how to get started…

Creative Ideas for Passive Income

The nature of passive income means that it usually requires a fairly intensive period of work followed by reaping the rewards. The reward reaping doesn’t necessarily come quickly either but once you’ve found a model that works for you, it’s simply a case of replicating it, as many times as you can, until you have a decent number of income streams that make you a healthy supplemental (or even full time) income.

Some common types of passive income include:

  • Affiliate marketing - setting up websites which promote products, services or resources you recommend in exchange for an affiliate payment every time someone clicks on your link to purchase something.
  • Digital products - selling tutorials, art lessons & other digital products (like ebooks, desktop images, graphics, icons) online.
  • Physical products – selling ready-made/ready-printed prints, posters and other pre-made products via an online website. This isn’t exactly passive if you have to ship the products yourself but it’s a way of earning additional income from your illustration work and skills.

Skills Needed

Creating passive income isn’t a walk in the park – it takes a fair amount of hard work and doesn’t always ramp up quickly. That’s why so many people give up before they get anywhere. However, if this is a strategy which you’d like to pursue, then it will give you a huge advantage if you can focus on acquiring the following skillset (either by learning yourself or finding people who can help):

  • Design & branding
  • Website design and development
  • Copywriting
  • Traffic generation

Most online streams of passive income revolve around being able to build a decent website – design plays an important part too – and then being able to drive traffic to it and market it.

Affiliate Marketing

This can be done from your existing website/blog but needs to be handled very carefully if you’re going to do this. Affiliate marketing is basically the practice of getting a small commission when you recommend something that other then buy.

For example, if you read a book you got from Amazon, sign up to their affiliate program then link to that book on your website (using your affiliate link), every time someone buys that book from clicking on your link, you receive a (very) small amount from Amazon (Amazon’s affiliate program isn’t especially generous!).

This is a great strategy if you already have a sizeable audience who listen to what you say and act on your recommendations. It can take a while to see any results but if you are dedicated to making this work, it can be a great source of long term passive income.

There are a number of popular affiliate networks which run programs from some of the big brand names out there, as well as individual affiliate programs for individual products made by other bloggers, illustrators and peers.

Pros of Affiliate Marketing

  • You don’t have to create your own product/service to sell.
  • The earning potential of affiliate marketing is huge.
  • You have full control over which products you promote and can choose to be an “ethical” affiliate marketer by only promoting services & products you’ve used and personally recommend.
  • You don’t have to have huge amounts of traffic or a big readership to make money from affiliate products but you do need a responsive one.

Cons of Affiliate Marketing

  • Making sales requires either decent traffic or a responsive audience – one requires cash, the other requires time & effort.
  • You need to find a quality, relevant product to sell to an existing audience, which doesn’t always exist.
  • It requires a steep learning curve to get to grips with affiliate marketing, especially if you go down the route of mini sites.

Affiliate Marketing Summary: This is an excellent monetisation strategy to pursue since it has some of the higher payouts and you can choose to promote the products you want to sell. It requires somewhat of a learning curve however if you’re focusing on niche mini sites or a fair amount of time and effort if you’re aim is to build a responsive, engaged audience who will buy what you recommend.

Affiliate Marketing Resources:

Recommended Premium Resource:

affiliate marketing for beginners banner Online Passive Income Streams for IllustratorsAffiliate Marketing for Beginners Course

Having thoroughly tested this beginner’s affiliate marketing course ourselves, we highly recommend this step-by-step program if you’re completely new to affiliate marketing and want a simple-to-follow approach which helps you make that very first sale.

This was created by Corbett Barr, and is designed for complete beginners. It is structured in an easy-to-follow, actionable format and Corbett answers your questions throughout, should you need any additional help. This is the only resource of its kind we recommend.

Selling Digital Products

This is perhaps the strategy which appeals to many creative entrepreneurs since it involves creating your own products. As an illustrator, you could leverage your skills and create sets of digital images/icons for sale to bloggers or web masters; you could write an ebook for other illustrators or you could create a range of online art tutorials showing people how to paint/create custom fonts and more. There are so many things you can create – you need to turn your thinking to education….who you can educate and what you can teach them. You can create the following types of digital products:

  • Ebook
  • Audio courses & programs
  • Video courses & programs
  • Software/Online Apps

You will of course need specific skills such as being able create the product in the first place, the know-how to set up a website or online platform to sell your products and you’ll also need to figure out a way to market your product and drive traffic to the site.

Pros of Selling Digital Products

  • You keep almost all of the income.
  • You get full control over the type and quality of the product you’re selling.
  • Once you get the hang of this, the possibilities are endless!

Cons of Selling Digital Products

  • You have to create the product which can be a steep learning curve.
  • You need an audience who’ll buy it.
  • Ongoing sales usually requires ongoing marketing so unless you automate this, it’s not exactly passive.

Resources for Selling Digital Products

For the sale of digital products, you may need to consider using the following resources:

  • Paypal – the only viable solution to receiving and making payments online
  • WordPress – to build cheap websites & blogs as online sales platforms
  • Headway – the developer’s licence which means you can use it on as many sites as you want
  • Google Analytics – to track traffic stats and measure your progress
  • ejunkie – for selling and delivering digital products

The following services can also help you shortcut the process of creating your own products, without having to spend a fortune to hire other professionals to help you:

  • Jing – to record quick on-screen tutorials (for longer ones, you’ll probably need additional software like Camtasia or iShowU or Screenflow)
  • Casting Words – transcription services which are great for transcribing audio interviews etc. for ebooks
  • EditZen – professional proofreading and editing for your ebooks
  • Gramlee – grammar checking & proofreading
  • Product Shine – affordable, professional buttons and graphics for your digital products

Physical Products

This is one of the most commonly pursued strategies for creative entrepreneurs because it involves creating! As an illustrator, you could create prints/postcards/gift cards/posters from your illustrations or create a range of illustration-based products in advance.

This is not quite passive income since you’ll probably be packaging and shipping the products yourself plus taking care of any customer service queries. There are ways around this – by outsourcing and using dropshipping services – but these probably won’t appeal to most illustrators and are unnecessary unless you really don’t have the time to handle these aspects yourself or it grows too big to handle yourself!

Pros of Selling Physical Products

  • You get the joy of creating physical goods you can sell yourself.
  • You keep all of the income.
  • You get full control over the type and quality of the product you’re selling.

Cons of Selling Physical Products

  • You’re in charge of packaging, shipping and customer service.
  • You may need storage space for your product “inventory”.
  • You need an audience who’ll buy it.
  • Ongoing sales usually requires ongoing marketing so unless you automate this, it’s not exactly passive.

Resources for Selling Physical Products

To sell your own products online, you’re likely to still need the following resources:

  • Paypal – the only viable solution to receiving and making payments online
  • WordPress – to build cheap websites & blogs as online sales platforms, unless you plan to use another storefront website like Etsy.
  • Headway – the developer’s licence which means you can use it on as many sites as you want
  • Google Analytics – to track traffic stats and measure your progress
  • ejunkie – if you’d like to use a cheap shopping cart to help you track physical inventory

The key to creating passive income streams…

The key to creating passive (or any type of additional) income streams is to start NOW! If you know this is something you want, then there is never a better time to start than right now. Even if you don’t quite get it “right” the first time round, the experience and learnings you’ll gain from doing this are immeasurable. Start now and you’ll have a headstart for next time round.

Once you’ve got a plan to experiment and set up additional, passive income streams, watch out for the forthcoming guide about building 1,000 True Fans…to help you market yourself and your products.

Art Licensing 201

If you’ve had success from short term, commission-based illustration, you may have realised that setting up some longer term streams of income from your illustration skills will help you create a sustainable, long term career without leading to burnout from having to do more and more commissions to increase your income.

Art licensing contracts are a great way to secure a long term income stream from your illustration work. While it can be a longer process to secure a contract, see your work actually in use on products and receive an income from it, it’s a great option to pursue if you’d like your illustrations to earn more than just a one-off “on commission” fee.

The following 201 guide lays out all the steps you need to take in order to get started in art licensing…

Research the Market

The first step you need to take before you get started in art licensing is to do your research. While the allure of securing more long term income from your illustration and creative work may be appealing, it can be a lengthy process to pursue before you even see any income. Here’s where you need to start researching exactly where your illustrations can be used…

A great way to do this is to head out to your nearest shopping centre/mall and start browsing around the stores…try and take note of:

  • The manufacturers who produce items which use illustration styles similar to yours
  • The current style, trends and colour schemes
  • The many different types of products which would be suitable for your illustrations (some of which you probably would never have thought of!)

As you do this, it also makes sense to make a list of the manufacturers you feel would be suitable for your work and then start to identify their contact details for later on in the process.

Recommended Resources:

Mfgs Banner 125x125 Color Art Licensing 201“How to Find, Interact and Work with Manufacturers who License Art” by Tara Reed

If you’d prefer to cut out the middleman and work without an agent (who’ll take a cut of 40-60% of your royalites), this ebook is a great resource to help you find manufacturers to work with and to learn how to communicate and interact with them which results in art licensing contracts.

While it doesn’t cover negotiating contracts with manufacturers, it is a fantastic resource to help you get started in the art licensing world where, as always, it can be a case of who you know, not what work you do.

Build your Art Licensing Portfolio

In order to secure art licensing contracts, you’ll need to create a portfolio that’s specific to art licensing. These differ from illustration portfolios for typical commissions and you’ll need to consider the following:

  • You need to create sets of 4 illustrations which include repeat patterns & borders
  • Think about themes (Christmas, Valentine’s Day) for your sets and when/where they could be used
  • Pay close attention to colour trends and style trends and ensure your portfolio is current and relevant

Recommended Resources:

Repeats Banner 125x125 Art Licensing 201“Basic Repeat Borders and Patterns” by Tara Reed

One of the requirements that many manufacturers have with illustrations used for art licensing is that they can be used as repeat patterns and borders (think of baby outfits as an example).

There are a few ways to achieve this in Photoshop but it’s not as easy as it seems – and especially not if you need to do it to a manufacturer’s specifications. This is a very practical and visual ebook which walks you through the Photoshop skills you need to know to create the patterns and and borders that manufacturers will want to see.

Set up your Art Licensing Portfolio Website

If you’re serious about securing art licensing contracts, you’ll need to set up an individual portfolio website for your art licensing work – separate from your standard illustration portfolio website. This is because the work you need to show for art licensing clients is typically quite different from the work you need to display for other illustration commissions. Ensure your art licensing portfolio website meets the following criteria:

  • Make it easy for art licensing clients (manufacturers) to find samples of your work on the site.
  • Don’t show everything you’ve got on your site – some manufacturers might not want images to be made public yet.
  • Encourage potential clients to sign up to see your whole collections so you’ve got their details to follow up with and it also keeps your collections private.
  • Show your designs mocked up on actual products (e.g. T-shirts, material etc.) – give manufacturers a visual example of how your work will look on one of their products.

Recommended Resources:

MockUp 125x125 Art Licensing 201“Product Mock-Up Magic” by Tara Reed

As we’ve mentioned above, it’s definitely a good idea to show your art work and illustrations mocked up on actual products so that manufacturers get an idea of how they’d look if they use your work.

This obviously requires photoshop skills and blank images of a range of products to use for your mock-ups. That’s why this kit by Tara Reed is so useful – not only do you get tutorials which show you how to create mocked up images, you get the files of blank products to use too. You may already have the skills to create your own (as I do) but if you don’t or you’d like to save yourself some time, this is a great tool to use.

Get work & Secure Contracts

Once you’ve got a complete portfolio and a portfolio website set up, it’s time to start finding art licensing contracts and clients. The following are tried-and-tested strategies to help you find work:

Contact manufacturers: Remember the research you did in step 1? Here’s where you get to use the information to start contacting manufacturers directly to show them your work. This is much like contacting art directors for typical commissions, so make sure you follow the right process to make a connection.

Walk the trade shows: A common strategy to attract the attention of manufacturers (and agents) is to walk the trade shows with the aim of networking, researching and hopefully connecting with manufacturers and agents.

Exhibit at a trade show: Go one better than walking the trade show and exhibit your work so that manufacturers come to you. This is a more costly option than simply attending a trade show so it pays to have already attended the trade show as a visitor previously and made some contacts, if possible.

Consider getting an agent: There are numerous reasons why illustrators prefer to work with an agent – and art licensing is no exception. An agent can help you handle the art licensing contracts and help get you work but there’s obviously an art to securing a good agent too, so it’s not necessarily an easy way out nor a surefire guarantee of success even if you do land an agent.

Recommended Resources:

surtex first timer Art Licensing 201“Confessions of a First Timer” by Khristian A. Howell

An ebook by Khristian which shares her experience of attending and exhibiting at Surtex (the biggest and most prominent art licensing trade show in the world) for the very first time. Khristan shares her take on how to make the most out of exhibiting at an art licensing trade show for the first time.

The ebook covers the 10 major items that Khristian attributes as the keys to her success – and will help you make the most of a similar opportunity when you’re ready to make the leap and exhibit your work at a trade show.

AgentEbk Banner 125x125 Art Licensing 201“How to Find An Art Licensing Agent” by Tara Reed

If you’ve decided that an art licensing agent is for you (or if you need help deciding whether you want one), then this is the ebook you need to read.

From Art Licensing queen, Tara Reed, the ebook covers everything you need to know about working with an agent (the good and the bad) and what you’ll need to do to secure one.

This is a comprehensive guide that covers everything you’ll need to know about art licensing with an agent so it’s a great place to start if you’re still undecided about which way to go.

Now you’ve read about art licensing, you might be interested in finding out more about other income streams for illustrators that you may not yet have pursued. The next 201 guide covers more in-depth information about children’s book illustration.

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